Saturday, September 20, 2014

MIAMI PHOTOS: CPR Rescue Baby Celebrates Birthday

Sebastian de la Cruz with his mom Paola Vargas. Her sister Pamela Rauseo 
rescued the infant by performing CPR when he stopped breathing while
traveling on the 836 expressway in February. AL DIAZ/MIAMI HERALD STAFF

By Audra D.S. Burch
By Audra D. S. Burch
aburch@MiamiHerald.com


For his first birthday, Sebastian de la Cruz is having a pool party Saturday with a bounce house and a donated Little Dumbo cake topped with a single candle.
It will be the birthday celebration that almost wasn’t.
But for the random nature of Miami’s clogged highways — which happened to be filled with just the right strangers on a February afternoon — and an alert aunt who remembered CPR just in time, Sebastian might not have made it past five months.
Born prematurely, with some respiratory issues, the infant had stopped breathing and was turning blue when his aunt, Pamela Rauseo, revived him on the shoulder of State Road 836 in a dramatic roadside rescue that was captured by a Miami Herald photographer in an image beamed around the nation.

With the baby in her arms, Rauseo had jumped out and run into the traffic jam begging for help. Miami Herald photographer Al Diaz captured one of the most powerful moments: Rauseo crouched over the baby, blowing into his mouth. The photo and rescue became a national story, rooted in an aunt’s bravery and the importance of CPR.
“So many things had to come together in such a way for there to be a positive outcome,’’ says Anthony Trim, a Miami-Dade Fire Rescue captain who happened to be near the scene as it unfolded in traffic and pitched in to help.
Had anything changed in the sequence of events that afternoon, Sebastian might not have lived to see this first birthday. Had he not stopped breathing, doctors might not have discovered he had life-threatening cysts on his trachea. But he is here now, all gums and giggles and bursting with energy. Even as the family prepares for his party, his mother, Paola Vargas — Rauseo’s younger sister — worries about her firstborn, and still tears up wondering about the what-ifs.

“I think a lot about all he’s been through and I wonder why all this had to happen to him,’’ Vargas says. “But I know he is my biggest gift. He is my little survivor.”
‘NOT MOVING AT ALL’
For months, Vargas, 28, had woken up before sunrise to Sebastian’s gentle kicking — thump thump, thump, thump — in her belly. But on the Wednesday morning of his birth, Sebastian was silent. Vargas began to walk and drink orange juice to rustle her unborn into kicking.
As a nurse at Jackson Memorial Hospital, she knew the risks of a
premature birth. Sebastian wasn’t due until December.
“It was a normal pregnancy. There were no warning signs of anything,’’ she says. “I knew his routine of movement and that day he was not moving at all.’’
By the time Vargas arrived at Jackson, Sebastian still had not moved. She met with an obstetrician who ordered a sonogram. It showed the unborn child had ascites, a fluid buildup in his stomach and Vargas had no amniotic fluid, the nutritional lifeline to babies in the womb. This meant Sebastian had to be delivered immediately by c-section.
Less than a half hour later on Sept. 18, 2013, Sebastian de la Cruz was born prematurely at 28 weeks, five days.
He arrived with complications: Hydrops Fetalis, a serious condition in which newborns retain abnormal amounts of fluid. At the time, the doctors also worried that his kidneys might not be functioning properly.
“The doctors said if there was something wrong with his kidneys, that he had very little chance of making it,’’ Vargas says, tears welling in her eyes.
Complications mounted. The next day, doctors discovered Sebastian had a skull fracture that caused a brain bleed. Fortunately, it would not require surgery. Two days later, he was diagnosed with necrotizing enterocolitis, a condition among premature newborns in which the intestines cannot hold waste.
“One minute, you think everything is going to be OK, the next you don’t know because something else has come up,’’ Vargas says.
As the uncertainty continued, Rauseo attempted to baptize the newborn. With rosary beads and holy water gathered from her church, the aunt stood over the nephew as he lay in an incubator in the neonatal intensive care unit.
“I knew that when someone is at risk, if they haven’t been baptized, you can make the sign of the cross and say certain words and that will suffice. I tried. We were very scared,’’ said Rauseo, who is Catholic. “I remember telling my sister that you need to prepare yourself for whatever fight is in front of us.’’
Sebastian was in the hospital the first two months of his life. The day before Thanksgiving, he went home for the very first time to an elephant-themed nursery. And things were good for a while, as Vargas and her husband, Robinson de la Cruz, settled into their roles as new parents.
Then about a week after New Year’s Day, Sebastian started coughing. His voice became hoarse, his breathing labored.
“We had traveled to North Carolina for the holidays. I thought it was the change in temperature,” Vargas said. “It was like he had a cold that would not go away.”
Doctors determined he had croup, inflammation of the throat. He was treated but after a few days, he started coughing again.
Still, Sebastian was a happy, playful baby with chubby cheeks and hazel-colored eyes; he loved to touch sparkly things, play bouncy and to eat Cream of Wheat. But always the coughing would return, sometimes accompanied with difficulty swallowing.
Sebastian was scheduled for another appointment with a pulmonary specialist the day he stopped breathing.
A SECOND MOM
With a 10-year age gap, Rauseo has been like a “second mom” to Vargas as long as she could remember. The oldest of four siblings, Rauseo moved from New York to South Florida in 1997, followed by Vargas seven years later. Rauseo, a preschool owner, took care of Sebastian, or Seba as she called him, when her sister was working. So when Sebastian’s dad had to take a business trip to Atlanta and Vargas had to work, it was Rauseo who took him to see a doctor working on Jackson’s campus.
As Rauseo and the baby waited for for the pulmonologist, Vargas and her mother, also a nurse at Jackson, found a couple of minutes to visit the infant.
“Sebastian was fine. He was watching the movie Frozen in the waiting room,’’ Vargas says. “He was so happy.’’
Afterward, Rauseo and Sebastian headed home on the 836, known locally as the Dolphin Expressway. It was about 2 p.m. and Sebastian was in the back, in a car seat facing the rear. Rauseo was listening to a Spanish language radio program discussing the social unrest in Venezuela. Sebastian had fallen asleep. As traffic slowed, he woke up and started crying. Somewhere between the Northwest 45th Avenue and Northwest 57th Avenue exits, he became quiet. Too quiet.
“We are at a dead standstill, not a single car is moving. The moment he stopped crying, I said to myself, this is not right, but I couldn’t see him because he was directly behind me,’’ she says.
Rauseo pulled the car partially onto the shoulder from the left lane. She checked on Sebastian. He was pale. His eyes were closed. His limbs were limp. She tried calling 9-1-1 but her fingers wouldn’t — couldn’t — move. So she did the only thing she could think of: grab the baby, get out of the truck and run like hell, looking for help.
“I started screaming but I made sure to point to the baby so people wouldn’t think I was some crazy woman,’’ she recalled.
“I need help!”
“Please someone help me!”
“Someone help me!”
She remembers a woman and a man rushing toward her — Lucila Godoy and Diaz, the photographer. She remembers dropping to her knees and trying to save her nephew’s life.
In the blur, Rauseo at first did not remember she knew CPR. Then it kicked in, the lessons learned seven years before in a class. She placed Sebastian on his back, then placed two fingers on his chest and counted out compressions while breathing into his mouth. Godoy helped and comforted the distraught Rauseo.
At first, Sebastian did not respond.
“I was getting tired and he had not yet started to breathe. I remember at one point, pounding on the pavement and saying ‘please God don’t let this happen,’ ” she says. “My sister had trusted me with her baby. I could not let him die.”
The mother of three knew something about this kind of panic. Her own son had stopped breathing eight years earlier as an infant. She and her husband were racing to the hospital when he began to breathe again on his own.
As Sebastian struggled to breathe, Amauris Bastidas, a Sweetwater police officer at the time, rushed over. He had been sitting in his squad car a few lanes over.
“I lifted him up in the air and moved him up and down,” Bastidas said in an earlier Miami Herald interview. “He started breathing and crying.”
Then he stopped again.
They frantically started CPR again, reviving Sebastian for a second time. By that time, more help — officers from the City of Miami and two from Miami-Dade, also stuck in traffic — had arrived.
Sebastian finally began breathing again. Rauseo crumbled.
“Fear. Terror. Panic,” she says. “I really thought we were losing him.’’
A MUFFLED SCREAM
Diaz had been returning from a photo assignment when he ran into the crush of traffic on the 836. He happened to be right behind Rauseo.
“I had just hung up the phone when I hear a muffled scream. I am not really sure where it’s coming from. I am thinking it’s the phone. I think it’s the radio. I look in the rear-view mirror and there’s nobody around me,’’ Diaz says. “I look up and she pops out of the car with a limp baby. With a blue baby. And she comes running toward me.’’
Diaz jumped out of his car. So did Godoy who left her own 3-year-old son in the car.
“She runs over and asks if the baby was eating anything or if he is choking. Pamela says no, he just stopped breathing,’’ Diaz explained.
One of the women turned the baby over, patting him to clear his airway. He went for additional help.
Diaz dashed through the stalled traffic, head on, flagging down Bastidas who was in a marked police car. It is that second round of CPR that is captured in Diaz’s picture.
‘SOMETHING ATYPICAL’
Capt. Anthony Trim and Lt. Alvaro Tonanez of Miami-Dade Fire Rescue’s hazardous materials bureau — also stuck in stop-and-go westbound traffic in separate vehicles — were returning from a training session in Miami Beach when they heard the emergency call come over the radio. They were both in the center lane, about a half-mile away from the scene.
The dispatcher was sending units to respond to “kid in respiratory distress or cardiac arrest.” Both hit their light switches and started trying to navigate the traffic jam.
“Something atypical happened. The cars actually moved out of the way for us, which is sometimes hit or miss,” Trim recalls. “Typically in congested situation, we encounter a handful of motorists who are hesitant or downright obnoxious.’’
They found Sebastian barely breathing.
“I saw Pamela on her knees and the baby on a mat on the shoulder of the road,’’ says Tonanez. “As I came up, she grabs Sebastian and passes him to me.’’
Tonanez, a paramedic and firefighter, quickly assessed the infant’s condition the way he was trained: He is breathing. He is blue-ish or purple-ish. His eyes are open. He is making noise trying to breathe. This is good. His arms are limp.
“I start by blowing air around his nose and mouth. The aunt did pretty much all we needed to do to get Sebastian back. Did I help by blowing a little bit? Hopefully I did help clear the passageway,” Tonanez says. “His appearance was improved considerably by the time we passed him onto the rescue truck.”
Trim said their job was to keep the infant alive until help arrived. About seven minutes after the first call, a City of Miami paramedic unit — which was closer than the county unit — arrived and rushed Sebastian to Holtz Children’s Hospital at the University of Miami/Jackson Memorial Medical Center.
“He was breathing, but he wasn’t in good shape,’’ Trim says. “We were hopeful.”
Trim and Tonanez have nearly 40 years of experience between them, including many life and death situations. But cases involving babies are always different.
When Tonanez got back to his office he picked up the phone.
“I called my kids to make sure they were OK,” Tonanez said. “It kind of hits home when you are dealing with kids.”
When Trim got back to the office he received a call. His 77-year-old mother had been in a car accident. He rushed to her side. She is still recovering from a leg injury.
TWIST OF FATE
Vargas was in the seventh hour of her nursing shift when she called Rauseo to find out about Sebastian’s doctor’s appointment. What she didn’t know: her sister and son were in an ambulance rushing to the hospital. “I didn’t tell her at first.”
Vargas was pregnant at the time. Her sister was worried about her reaction. “I am thinking, how do I tell my sister what we just experienced?’’
At the hospital, Rauseo called Vargas and told her to go to the emergency room.
“By the time I got to him, he was already crying so I knew if he was crying, he was breathing,” Vargas said.
Doctors discovered and removed three cysts from the baby’s trachea that were blocking his airway. Vargas said they may have never known the procedure was necessary had Sebastian not stopped breathing that day.
Sebastian was in the hospital for a week. Since then, he has had a few respiratory issues, but nothing severe and he is developmentally up-to-date. The hope is that as his trachea grows and lungs mature, the last of the breathing issues will subside. For now, Vargas suctions his nose regularly to clear any congestion and keep the passageway clear.
In the months that followed that day in February, Vargas would give birth to a little girl named Chloe. Sebastian was officially baptized. Diaz won awards for the stunning photo that captured the rescue. And Rauseo walked away from the experience convinced that more people need to know CPR. She hopes to launch an initiative requiring infant CPR education for parents before they are allowed to take their newborns home from a hospital.
The focus now is on Sebastian’s first birthday party Saturday, a celebration of the promise of life.
“I believe he is meant for a big purpose,’’ says Vargas. “He was given back to us twice.’’
 APME PHOTO OF THE YEAR
Miami Herald photographer Al Diaz, a 30-year veteran, shot photos of Pamela Rauseo’s dramatic CPR rescue of her nephew, Sebastian de la Cruz, after he first flagged down help in traffic. In July, that image was named the Associated Press Media Editors’ Member Showcase Photo of the Year. He also received the 2014 National Press Photographers Association’s Humanitarian Award.

RELATED LINKS

Drama on the expressway: Drivers scramble to save unconscious baby on 836

Photojournalist Confronts Ethical Dilemma


Read more here: http://www.miamiherald.com/news/local/community/miami-dade/article2172638.html#storylink=cpy


Sebastian with his newborn baby sister Chloe.



Sebastian gets a little help blowing out the candle from his father Robinson de la Cruz 





Read more here: http://www.miamiherald.com/news/local/community/miami-dade/article2172638.html#storylink=cpy

Tuesday, September 16, 2014

THINK TANK PHOTO & MINDSHIFT: New Products Announced, Plus More

OUR BIGGEST ROLLER EVER!

Our newly released Production Manager 40 is the most convenient way to safely transport a large amount of lighting equipment. You will appreciate the superior design of this large roller with room for multiple flash heads, power packs, monoblocks, softboxes, and a light-stand. Many configurations can be set up with the removable no-scratch Velex divider system.

Production Manager 40 gear layout 1The Production Manager 40 features a spacious gusseted front pocket that fits reflectors, umbrellas, cables and more. You can roll into your next production fully equipped and secure with added features like the integrated cable and lock, lockable zippers, and wide set wheels that minimize tipping. It also has reinforced honeycomb panels wrapped in ballistic nylon with full-length exterior slide rails for protection in transport.

  KEY FEATURES
  • Stores and transports all types of gear on location with wide set wheel base.
  • Lock and cable secures the main compartment and the bag.
  • Attachments for light-stands or tripods on both sides (straps included).
  • Large front zippered pocket for reflectors, umbrellas, cables, and more.

Production Manager 40 gear layout 2ADDITIONAL FEATURES
  • Multiple sizes of Velex wrapped dividers for endless configuration options.
  • Rigid shell and reinforced Velex dividers ensure optimum gear protection.
  • Robust handles on three sides, rear slide rails, and custom-wheel housings for easy loading and unloading.
  • Replaceable, roller bearing wheels roll smoothly and quietly while holding up under the toughest conditions.
  • Large interior mesh pockets for organizing small accessories.
  • Adjustable, standing lid straps keep bag open and accessible.
  • Seam-sealed rain cover included.
Airport International Classic LE

NEW LIMITED EDITION AIRPORT INTERNATIONAL™TO BE RELEASED   
This is to let you know we just announced at photokina that we will be releasing a limited edition version of our most popular rolling carry-on camera case, the Airport International LE Classic. Crafted with genuine, full-grain leather accents and panels, this classic version represents everything we are known for: premium quality, innovative design and long-lasting durability. Designed to complement our new Urban Disguise Classic shoulder bags series (described below), these two bags make a beautiful set of matching cases that meet international airline carry-on standards.

The Airport International™ LE Classic carry-on roller lets you legally store their bodies, lenses, and accessories in overhead bins or under the seats of international carriers. For added security, it features front-pocket and main compartment combination locks and a cable from a secret rear hatch that allow it to be secured to posts, trees, and other immovable objects.

Airport International accommodates up to a 500mm f/4 lens unattached, additional smaller lenses, and up to two gripped DSLR camera bodies and other photography accessories. TSA approved combination locks secure the main compartment zipper sliders.

Key Features
  • Limited Edition with full-grain leather accents and panels.
  • International and US carry-on size for most carriers.
  • TSA-approved combination zipper locks secure main compartment.
  • Two lock and cable systems: one to secure a laptop, keys, etc., one to secure the entire bag to a fixed object.
What Fits
  • Up to a 500mm f/4 lens unattached, additional smaller lenses and up to two gripped DSLR camera bodies.
  • A standard professional kit consisting of two standard or gripped camera bodies, multiple professional lenses, flashes and accessories.
To be alerted when we receive our first shipment, click on the words "Notify me when this product is in stock" on the product page. 
Urban Disguise Classic
LEATHER TRIMMED URBAN DISGUISE SHOULDER BAGS TO BE RELEASED
We are releasing new editions of our flagship camera shoulder bag, the Urban Disguise Classic. The Urban Disguise Classic is crafted with genuine full-grain leather accents and panels. The travelers quick access bags are available in four sizes to suit  a variety of gear carrying needs. They are built to protect photographic equipment with enduring materials, including a padded compartment for a laptop.

The UD Classic features the professional good looks of a briefcase without calling attention to it obviously being a camera shoulder bag carrying expensive photographic equipment. The Classic features new design elements over its predecessors, including the wide-mouth camera compartment for unencumbered access. For greater convenience, the Urban Disguise Classic's pass-through strap fits any Airport International roller's handle for easy transport. When paired with the Airport International LE Classic, they work together as a high-end, coordinated set.

What Fits
  • Urban Disguise 35 Classic: 1 standard or gripped DSLR with lens attached, one additional lens, flash, tablet and up to a 13.3" laptop (with standard camera body only).
  • Urban Disguise 40 Classic: 1-2 standard DSLRs with lenses attached, plus 1-3 additional lenses, a tablet and up to a 13.3" laptop.
  • Urban Disguise 50 Classic: 1-2 gripped or standard DSLRs with lenses attached, plus 1-4 additional lenses, a tablet and up to a 15.4" laptop.
  • Urban Disguise 60 Classic: 1-2 gripped or standard DSLRs with lenses attached, plus 1-5 additional lenses, a tablet, and up to a 17" widescreen laptop.
To be alerted when we receive our first shipment, click on the words " Notify me when this product is in stock" on the product page.
NEW OUTDOOR BACKPACKS TO BE RELEASED
rotation180 TrailOur sister company, MindShift Gear, has announced it is releasing a smaller, lighter new backpack, the rotation180®Trail™ . With the rotation180ยบ Trail you can hike, mountain bike, ski, and birdwatch without breaking stride. In one swift motion, you can rotate the beltpack and grab your gear without disrupting your creative momentum. It fits any 1.5 liter or a 2 liter CamelBak water reservoir, a light jacket and an extra layer, binoculars, compass, trail books, maps and more. You can quietly capture wildlife in their natural habitat.
rotation180 Travel Away 
When traveling in unfamiliar places, it is very important to know where critical items are and to protect them from prying eyes. With the rotation180® Travel Away™ in one swift motion, you can rotate the concealed beltpack to the front for instantaneous and secure access to cameras, passports, guidebooks, tablets, or other travel essentials. No more being forced to stop in front of strangers and removing your backpack to gain access to essential travel items. The backpack also has dedicated pockets to conceal a 15" laptop and 10" tablet, while the beltpack can fit an 8" tablet.
John Moore on Ebola in Monrovia for 'About A Photograph' 
ABOUT A PHOTOGRAPHCheck out the newest addition to our "About A Photograph" short video series.  It features the story behind Getty Photographer John Moore's stark image of being in the epicenter of Ebola virus
14 top pro photographers answer your questions.
"ASK THE PROS"  WHAT IS CONSISTENTLY THE MOST CHALLENGING THING ON A SHOOT?  HOW DO YOU OVERCOME IT?
In Part 1 of the newest addition to our "Ask the Pros" column we asked our panel of 14 leading pro photographers these very questions. And, as always, their answers ran the gamut based upon their areas of specialization and unique personalities. For example, "We're not crunching numbers all day after all... never forget that it's about the journey and not necessarily the result." And, "If you can remember to keep moving, keep hovering, keep looking, that is when the special pictures seem to make themselves available."   

Monday, September 15, 2014

Thursday, September 11, 2014

World’s Highest Capacity SD Card 512GB


The capacity of my first Compact Flash Card was about 256MB. A few years later came the 512MB SD Card. Now San Disk has announced the world’s highest capacity SD Card at 512GB for high performance video and photo capture. Wow, that's bigger than the hard drive on the MacBook Pro I use now!

Built for the Pros
Since SanDisk unveiled its first 512MB SD card in 2003, capacity demands have increased exponentially and the new 512GB SanDisk Extreme PRO SDXC
UHS-I card represents a 1,000-fold capacity increase in just over a decade, yet maintains the same size footprint. SanDisk’s most powerful and highest capacity SD UHS-I memory card yet, the 512GB card delivers write speeds up to 90 MB/s* and UHS Speed Class 3 (U3) recording speed for high resolution, real-world color and stutter-free 4K Ultra HD video. Transfer speeds up to 95 MB/s* move data quickly for efficient post-production workflow.
The 512GB SanDisk Extreme PRO SDXC UHS-I card delivers both the speed and capacity needed to support 4K Ultra HD video capture, enabling users to shoot tremendous amounts of content without disrupting the moment.
The new offering comes with key features designed for pro-level action:
·       Built for and tested in harsh conditions—temperature proof, water proof, shock proof,
and x-ray proof
·       Lifetime limited warranty
·       RescuePRO® Deluxe data recovery software download offer, for bringing accidentally deleted images back to life 

Adorama links for pre-order:

Wednesday, September 10, 2014

LEICA STORE MIAMI: John Botte The 911 Photographs Exhibit


See you tonight!


Opening Reception
Wednesday, September 10th
6:00 - 8:00 PM
Artist talk at 7:00 PM

RSVP
info@leicastoremiami.com
(305) 921-4433


Light refreshments will be provided. Bring a friend!
Leica Store Miami
372 Miracle Mile   |   Coral Gables, FL 33134
(305) 921-4433   |   info@leicastoremiami.com
www.leicastoremiami.com

Tuesday, September 9, 2014

THINK TANK PHOTO: Introducing the Production Manager™ 40... AWESOMENESS!


When it comes to carrying all my camera gear and laptop, Think Tank Photo has me covered. From the awesomeness of their rolling camera bags, the Airport Security V2.0, the Airport International V2.0 or the versatility of the ShapeShifter CameraBackpack and every bag in between it just does not get any better.

I’m faster, stealthier and well-organized thanks to all the Think Tank Photo camera bags I use. All designed by professional photographers at TTP. 

Unfortunately, I’ve never had anything decent for my lighting gear. My studio light kit is stored in anything from free swag bags, a cardboard box and a variety of old cases that just don’t cut it. I’ve been waiting, kicking, and cursing.

Now the day has finally arrived!



Introducing the professional strength, Production Manager™ 40! A high-capacity rolling gear case designed for pro gear. It's the most convenient way to safely transport and haul a large amount of lighting equipment. Creative professionals will appreciate the superior design of this large roller with room for multiple flash heads, power packs, monoblocks, softboxes, and light-stands.


Many configurations can be set up with the removable no-scratch Velex divider system. It features a spacious gusseted front pocket that fits reflectors, umbrellas, cables and more. Roll into your next production fully equipped and secure with added features like the integrated lock and cable, lockable zippers, and wide-set wheels that minimize tipping. The Production Manager 40 also has reinforced honeycomb panels wrapped in ballistic nylon with full-length exterior slides rails for protection in transport.


KEY FEATURES
•  Stores and transports all types of gear on location with a wide-set wheel base
  Lock the main compartment and secure your bag with the included lock and cable
  Attachments for light-stands or tripods on both sides (straps included)
  Large front zippered pocket for reflectors, umbrellas, cables, etc.

GEAR PROFILE
Holds 34 flash heads, 23 power packs, as well as monoblocks, umbrellas, medium softboxes (collapsed), small-medium light stands.

TECHNICAL SPECIFICATIONS
Exterior Dimensions: 15.7” W x 40” H x 12.6” D (40 x 101.6 x 32 cm)
Interior Dimensions: 13.7” W x 38” H x 10” D (35 x 96.5 x 25 cm)
Weight: 17.8–22.2 lbs (8.1–10 kg)

MATERIALS
External: For superior water-resistance, all exterior fabric has a durable water-repellent (DWR) coating, plus the underside of the fabric has a polyurethane coating. It's also constructed with 1680D ballistic nylon, YKK® RC Fuse (abrasion resistant) zippers, custom-designed extra tall skid plates, replaceable custom-designed wheels, antique nickel-plated metal hardware, nylon webbing, and 3-ply bonded nylon thread.
Internal: 210D silver-toned nylon, polyurethane-backed Velex liner and dividers, 2x polyurethane coated nylon 210T seam-sealed rain cover, closed cell foam and reinforced PE board dividers, Belly-O mesh pockets, and 3-ply bonded nylon thread.


No Rhetoric Warranty on all Think Tank products